{"id":79,"date":"2019-05-29T07:58:42","date_gmt":"2019-05-29T04:58:42","guid":{"rendered":"https:\/\/grevkafi.org\/?page_id=79"},"modified":"2025-05-07T01:53:37","modified_gmt":"2025-05-06T22:53:37","slug":"about","status":"publish","type":"page","link":"https:\/\/grevkafi.org\/ru\/about\/","title":{"rendered":"Despre Grev Kafi"},"content":{"rendered":"\t\t
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Despre Grev Kafi<\/span><\/h2>Simbolism \u00een patru m\u00e2ini \u2013 via\u021ba, opera \u0219i filozofia unui cuplu de arti\u0219ti unici<\/span><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2726 Cine este Grev Kafi?<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Grigorie Cabacin\u00eei \u0219i Evdochia Fidelscaia<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Grev Kafi<\/b> este pseudonimul artistic al pictorilor Evdochia Fidelscaia<\/b> \u0219i Grigorie Cabacin\u00eei<\/b> \u2013 un cuplu de arti\u0219ti simboli\u0219ti care, timp de peste 57 de ani, a creat nenum\u0103rate opere de art\u0103 marcate de profunzime filozofic\u0103 \u0219i un stil inconfundabil.<\/p>

Picturile lor se \u00eencadreaz\u0103 \u00een curentul simbolist<\/b>, unde fiecare form\u0103, culoare \u0219i compozi\u021bie transmite un mesaj ascuns, o reflec\u021bie interioar\u0103, o leg\u0103tur\u0103 \u00eentre lumea material\u0103 \u0219i cea spiritual\u0103. Alegoriile, cifrurile \u0219i simbolurile sunt folosite pentru a trezi privitorul din percep\u021bia superficial\u0103 \u0219i a-l invita la o c\u0103l\u0103torie a inimii de intuire \u0219i \u00een\u021belegere a existen\u021bei.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2726 Tehnica celor \u201epatru m\u00e2ini\u201d<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Unicitatea stilului Grev Kafi const\u0103 \u0219i \u00een tehnica special\u0103 de pictur\u0103 \u2013 \u201etehnica celor patru m\u00e2ini\u201d<\/b> \u2013 dezvoltat\u0103 ini\u021bial din nevoia de a picta rapid peisajele montane din Tien Shan. Cu timpul, aceast\u0103 metod\u0103 a evoluat \u00eentr-un mod de lucru profund armonizat, \u00een care cei doi arti\u0219ti colaborau perfect la nivel de idee, concept \u0219i execu\u021bie. Tehnica a devenit un simbol al unit\u0103\u021bii lor suflete\u0219ti \u0219i artistice<\/b>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2726 Biografii<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Grigorie Petrovici Cabacin\u00eei<\/b> s-a n\u0103scut \u00een anul 1932, \u00een ora\u0219ul Konotop<\/b>, regiunea Sum\u00ee. A studiat la o \u0219coal\u0103 de arte din Chi\u0219in\u0103u, apoi la Institutul de Stat de Art\u0103 din Harkov<\/b>, specializarea pictur\u0103.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Evdochia Ivanovna Fidelscaia<\/b> s-a n\u0103scut \u00een satul Jura<\/b>, raionul R\u00eebni\u021ba (fosta RSS Moldoveneasc\u0103). A urmat Colegiul de Arte din Chi\u0219in\u0103u<\/b> \u0219i Institutul de Art\u0103 din Harkov<\/b>, specializ\u00e2ndu-se tot \u00een pictur\u0103.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2726 Parcurs artistic \u0219i activitate<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Anii 1960\u20131978, Grigorie Cabacin\u00eei a predat la Facultatea de Art\u0103 \u0219i Grafic\u0103 a Institutului Pedagogic Abai, unde a condus Catedra de Pictur\u0103 \u0219i Compozi\u021bie. Cei doi au devenit membri ai Uniunii Arti\u0219tilor din Kazahstan.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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  • Anii \u201960\u2013\u201978<\/b> \u2013 Dup\u0103 terminarea studiilor, pictorii au fost repartiza\u021bi \u00een Alma-Ata<\/b>, capitala Kazahstanului. Ora\u0219ul nu i-a impresionat \u00een mod deosebit, \u00eens\u0103 apropierea de mun\u021bii Tien Shan<\/b> le-a marcat profund aspira\u021bia artistic\u0103. Au descoperit acolo grandoarea cerului<\/b>, v\u00e2rfurile \u00eenz\u0103pezite<\/b> \u0219i frumuse\u021bea naturii, care le-a devenit inspira\u021bie timp de 15 ani.<\/li>
  • 1978<\/b> \u2013 La invita\u021bia Ministerului Culturii al RSSM<\/b>, s-au \u00eentors la Chi\u0219in\u0103u, relu\u00e2nd activit\u0103\u021bile pedagogice \u0219i creative.<\/li>
  • Sf\u00e2r\u0219itul anilor \u201980<\/b> \u2013 Organizeaz\u0103 expozi\u021bii personale<\/b> la Chi\u0219in\u0103u, Moscova \u0219i \u00een regiunea Moscovei, foarte bine primite de public \u0219i mediatizate intens \u00een pres\u0103, la radio \u0219i TV.<\/li>
  • 1998\u20131999<\/b> \u2013 Particip\u0103 la Festivalul Interna\u021bional Pedagogic de Arte \u201eORPHEUS\u201d<\/b> din Ucraina, unde devin laurea\u021bi. Sunt invita\u021bi s\u0103 expun\u0103 \u00een mai multe ora\u0219e din Moldova, Ucraina \u0219i regiunea transnistrean\u0103<\/b>: Belgorod-Dnestrovsk, Izmail, Slavutich, Kiev etc.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    Sculptorul G. Poto\u021bchi scria:
    \u201eLumea tablourilor Grev Kafi este optimist\u0103 \u0219i promoveaz\u0103 ideea unei realit\u0103\u021bi frumoase \u0219i plin\u0103 de secrete, la fel de pur\u0103 ca lumea unui copil.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    \u2726 Perioada de maturitate artistic\u0103 (1990\u20132020)<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Ace\u0219ti ani au reprezentat apogeul crea\u021biei, marc\u00e2nd dezvoltarea stilului personal \u0219i maturizarea filozofiei artistice<\/b>. Au fost create unele dintre cele mai reprezentative lucr\u0103ri:<\/p>

    • Rug\u0103ciunea<\/i>, \u00cen pragul eternit\u0103\u021bii<\/i>, Zborul peste gr\u0103dina \u00eenfloritoare<\/i>, Oceanul \u00eempietrit<\/i>, Mesagerul Luminii<\/i>, Lumea este plin\u0103 de bucurie<\/i>, Sf\u00e2nta Duminic\u0103<\/i>, Geniul<\/i>, Isis<\/i>, Troi\u021ba<\/i>, Hristos<\/i>, Pictorul<\/i>, Sf\u00e2ntul<\/i>.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \u2726 Construc\u021bia muzeului (2015\u20132020)<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \u00cen aceast\u0103 perioad\u0103, \u00eentreaga energie a fost canalizat\u0103 spre visul de o via\u021b\u0103 \u2013 crearea unui muzeu care s\u0103 g\u0103zduiasc\u0103 \u0219i s\u0103 protejeze \u00eentreaga oper\u0103 Grev Kafi<\/b>. Arhitectura, designul, construc\u021bia \u0219i amenajarea au fost atent coordonate chiar de c\u0103tre arti\u0219ti \u0219i echipa fondatoare.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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      \u2726 Simbolismul \u00een arta Grev Kafi<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Grev\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \u00cencep\u00e2nd din anii \u201970, influen\u021ba filosofiei indiene, a cre\u0219tinismului, religiilor lumii, Eticii Vii (Agni Yoga) \u0219i Teosofiei a \u00eenceput s\u0103 se reg\u0103seasc\u0103 \u00een operele lor. Simbolurile nu mai erau doar forme plastice, ci instrumente de comunicare profund\u0103<\/b>, menite s\u0103 trezeasc\u0103 intui\u021bia \u0219i \u00een\u021belegerea spiritual\u0103.<\/p>

      \ud83d\udd38<\/span> Simbolismul mitic<\/b><\/h5>

      Se reg\u0103se\u0219te \u00een lucr\u0103ri precum Isis<\/i>, Orfeu<\/i>, Maica Lumii<\/i>, Prometeu<\/i>, Hermes Trismegistul<\/i>, Viziunea Maicii Domnului<\/i>, Trecerea<\/i>, Androginul<\/i>, \u00cen al nou\u0103lea cer<\/i> \u0219i altele.
      Simboluri:<\/b> soarele, luna, cercul, pomul vie\u021bii, \u0219arpele ouroboros, semne egiptene \u0219i vedice.<\/p>

      \ud83d\udd38<\/span> Simbolismul religios<\/b><\/h5>

      Picturi precum Moise<\/i>, Solomon<\/i>, Cri\u0219na<\/i>, Hristos a \u00eenviat<\/i>, Buddha<\/i>, Sf\u00e2ntul<\/i>, Troi\u021ba<\/i>, Serghie de Radonej<\/i> reflect\u0103 semne ale credin\u021belor universale.
      Simboluri:<\/b> crucea, \u00eengeri, lotusul, focul sacru, fluierul, semnele Vi\u0219nu etc.<\/p>

      \ud83d\udd38<\/span> Simbolismul mistic<\/b><\/h5>

      Opere precum Chemarea<\/i>, Pustnicul<\/i>, Eternitatea<\/i>, L\u0103ca\u0219ul Luminii<\/i>, Visul<\/i>, Rug\u0103ciunea<\/i>, Mesagerul Luminii<\/i> exprim\u0103 idei esoterice \u0219i st\u0103ri de con\u0219tiin\u021b\u0103 extins\u0103.
      Simboluri:<\/b> lumin\u0103, cercuri concentrice, ape sacre, femeia sacr\u0103, arcane mistice, cercuri \u0219i spirale.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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      <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \u2726 Filosofie artistic\u0103<\/span><\/h3><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      \u201eEste u\u0219or s\u0103 pictezi un peisaj, dar cum pictezi o idee abstract\u0103?
      Doar prin simboluri. Ele pot fi simple, complexe sau combinate, dar toate sunt por\u021bi spre t\u0103r\u00e2muri interioare.\u201d \u2013 Grev Kafi<\/p>

      Simbolul este viu, iar interpretarea lui este infinit\u0103. Arta Grev Kafi ofer\u0103 r\u0103spunsuri care sunt descoperite printr-o g\u00e2ndire deschis\u0103 care treze\u0219te intui\u021bia \u0219i inspir\u0103 c\u0103utarea interioar\u0103<\/b>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

      \n\t\t\t\t
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      <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

      Despre Grev Kafi Simbolism \u00een patru m\u00e2ini \u2013 via\u021ba, opera \u0219i filozofia unui cuplu de arti\u0219ti unici \u2726 Cine este Grev Kafi? Grigorie Cabacin\u00eei \u0219i Evdochia Fidelscaia Grev Kafi este pseudonimul artistic al pictorilor Evdochia Fidelscaia \u0219i Grigorie Cabacin\u00eei \u2013 un cuplu de arti\u0219ti simboli\u0219ti…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-79","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["ro","ru","en"],"languages":{"ro":{"title":true,"content":true,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":157,"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/pages\/79\/revisions"}],"predecessor-version":[{"id":6718,"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/pages\/79\/revisions\/6718"}],"wp:attachment":[{"href":"https:\/\/grevkafi.org\/ru\/wp-json\/wp\/v2\/media?parent=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}